During the fabled First Time or Zep Tepi, when gods, or aliens, ruled on Earth, the waters of the abyss receded, the primordial darkness was banished, and the human biogenetic experiment emerged from the light. The Urshu, a category of lesser divinities whose title meant The Watchers, preserved vivid recollections of the gods themselves, puissant and beautiful beings called the Neteru who lived on Earth with humans in the beginning.

Discoveries emerging from Egypt, describe the existence of a world wide pyramid temple system in prehistory, mounted like antennae on key energy meridians, which were employed by ancient priest-scientists as harmonic tuning forks to stabilize the tectonic plates of the planet's cataclysmic geology. From the mother tongue word Jedaiah, meaning 'The Way of the Word' or 'The Power of the Word', the ancient Jedai priests used the Language of Light to tune the planet like a giant harmonic bell. Much is being rediscovered in the last days of this time cycle.


The outer walls of the temple of Edfu, dating to the pyramid age,
depict the Zep Tepi, whose kings were the Neteru (Neters or Gods).




Myths and Metaphors

Along with the list of mythological gods we find encoded in the grid stories of the creation of the human experiment, we find the Zep Tepi. Within the void called Time and Space there are those who move from reality to reality creating the programs in which souls experience. They move through the place known as Zero Point, where matter and antimatter merge to create new realities. It is the place where positive and negative collide to destroy matter and recreate again.

Zep Tei refers to "First Time", a remote epoch prior to ancient Egypt. It is a place of awakening and a place of forgetfulness. It is the beginning and the end of all and everything. It is the home of the creational forces, those who bend and shape realities through sound, light and color. The term Zep, Zipper, closing and opening, rips in time, movement through space time, DNA is a polymer or encoded DNA.

Zep Tepi is Genesis. Zep means Time. Tepi means First. Together they are the First Time or the Golden Age of Alchemy where the gods moved through the Void and created the grids of our reality. We know them as the Egyptian Gods highlighted by Osiris who is associated with Orion, god of resurrection and rebirth. They allegedly came to this reality, loosely based on the precession of the equinoxes, approximately 12,500 year ago.

At Zep Tepi, the constellation Orion acknowledged as the most significant constellation to the ancient Egyptians, was at its lowest position in the southern sky. From Zep Tepi onward, precession of the equinoxes has been gradually carrying Orion/Osiris higher and higher in the sky. The Sphinx is positioned such that in 10,500 BC - time of Zep Tepi - give or take a few hundred years, a remarkable astronomical arrangement of the Sun, Orion, and the constellation of Leo occurred. Leo, Lion, Crown, King.

Aker signifies the horizon, the point where night turns to day, where day turns to night - Zero Point or Zep Tepi. It is depicted as two lions seated back to back, facing away from each other. They are also called Yesterday and Tomorrow, as one lion faces towards the east where the sun rises and begins the new day, the other lion faces west where the sun sets and descends into the Underworld. Aker also guards the gate to the Underworld and opens it for the King to pass through. We also find this pattern on the breastplate of the Sphinx and represents duality.

The area between the lions' backs often shows the circle of the sun as if rising between two hills. This also signifies the sun's journey across the sky during the day, as well as it being safely carried on the back of Aker during its dangerous night journey in the Underworld each night. Aker was not worshipped in temples as a Netjer. He was more connected perhaps to the primeval concepts and Earth powers.

According to a prominent Ancient Egyptian myth, the legendary Gates of the Afterworld were guarded by two gigantic lions or sphinxes called Aker. In New Kingdom tomb drawings the aker-sphinx of the eastern gate sits proud with its hind parts in a hollow. Underneath it can be seen an curious underground stream or duct. Behind the lion towers a huge mound or pyramid and under it is found a large, oval chamber which appears to be hermetically sealed.

In this mysterious chamber it said to be some lofty secret, no doubt from the 'gods' who ruled the land of Egypt during the remote epoch of Zep Tepi -'The First Time'. This strange chamber was called the 'House of Sokar' in Rostau. The resemblance with the Sphinx complex at Giza is uncanny. Giza, in ancient time, was called Rostau. Sokar, a hawk-headed deity, was identified as Horus.




Atlantis

At the time of the destruction of Atlantis, when the Earth shook, and all was lost in the oceans of creation, the secret knowledge was hidden in crystals, and higher frequency elements to be released at the time of the Zep Tepi. This is that time. It was Tehuti who allegedly left Atlantis in a spaceship, with those who were to recreate the next program of man. They waiting for the seas to settle and the sun to come out upon the glistening water below.

And when the sun did shine, it rose in the Age of Leo, and the Lion did roar, and a new creation began, symbolized by the Sphinx who sits beside the Great Pyramid (male-female). It was at that time that Tehuti/ Thoth/ Thought/ Time, moved back into the realms of the physical and brought with him those who would walk upon the land.

There were supposedly those who survived the Great Flood, the end of one program and the beginning of another as water means collective unconsciousness. Some believe that at the fall of Atlantis souls moved underground guided by a golden light, where they created subterranean cities. This is a metaphor for moving into another grid program. These entities were sometimes referred to as the Deros.

When the Gods and Goddesses returned to the planet, they created another Consciousness Hologram using a new blueprint that would create the effect of linear movement through passages called time. It was an alien biogenetic experiment.

Tehuti allegedly arrived through a portal, in his pyramid-shaped spaceship, in the land that the Egyptians would call Khem. There he would build the foundation of his new reality program. Above would be a pyramid in which he and the Zep Tepi, as a race of gods, would reside. Below would be its counterpart another Great Pyramid perfectly encoded and placed at the center of the mathematical design to create an illusion in which the souls would experience. The Zep Tepi created a new race, humans.

The Zep Tepi or Ancients would visit their creation coming through their pyramids on the planet or arriving in great spaceships that would be part of humanity's recorded history. They would leave behind great reminders of humanity's creational forces, the Zep Tepi.

There were 12 areas or major grid points on the planet through which the Zep Tepi moved, creating 12 nations, all of which came into being at the same time, each independent of the other, yet all created by the Zep Tepi, who would go by different names in different lands. Some called them the Giants who walked upon the Earth, their exploits recorded on ancient hieroglyphs, sacred monuments and texts as creational myths by all 12 nations, each with their own understanding of these creational forces, the Zep Tepi.

Their sacred message was recorded in the Emerald Tablet of Thoth the Atlantean who, as the God, Tehuti, was the ruler of Atlantis for an unspecified period of time, coming and going through the story of its existence.

There are those who say Tehuti buried the truth about creation in a Hall of Records, Halls of Amenti, in a Crystal Tablet, which lies beneath the ground in his spaceship near the Great Pyramid. The Zep Tepi allegedly left behind the core crystal which supports this hologram. Some say the Zep Tepi hid the information in a Golden Capstone, above the Great Pyramid. As is Above, So is Below - pyramids above and below forming an hourglass that creates the illusion of time. The metaphors are laced in time and Crystalinks. When you are ready you will find them.

As realities move within the spiraling loops of consciousness, ongoing change occurs. The Zep Tepi must return to rebalance and recreate new experiences. As the flame of their Crystal Creation burns through the fires of the alchemy of experience, there comes a time of separation or merge. The flame separates the transition metals of consciousness, the gold (enlightened ones) moving to higher light due to their accelerated frequency, and the slag, having to return to the raw materials of the void.




Alchemy and Magic

Zep Tepi, as an entity, has taken many form, for he is a Magician who can bend light to create illusion in the electromagnetic program or our reality - magnetics and illusion. He is known to the Egyptians as Thoth, (thought) the "Lord of Magic and Time" - to the Greeks as Hermes, 'Messenger of the Gods" - and to the Celtics as the enigmatic wizard Merlin, who disappears up an apple tree to mythic Avalon, seeking the secret of immortality and vowing to return.

Zep Tepi has always left the message in all legends, even those of an extraterrestrial nature, that he will return at the end of this Cycle of Time through the alchemy of DNA and consciousness. He brings with him the secret keys to the gates of a sacred land or golden age, meaning a spiraling of consciousness as it returns to higher frequencies of light and understanding.

In the role of Enoch, Zep Tepi encoded messages in a language of symbols, archetypes. Hidden in ancient languages, the lost Enochian knowledge reveals the mother tongue as a Language of Light. Known to the ancients as HIBURU, which sounds like Nibiru or Hebrew. It is the primal seed language, introduced at the beginning of this time cycle by the Zep Tepi. Modern research confirms, the most ancient form Hebrew to be a natural language, the alphabetic forms emerging from the phosphene flare patterns of the brain. The same shapes, in fact, born of a spinning vortex. It is a true language of light, coursing through our very nervous system.

Encoding the natural waveform geometries of the physical world, Hiburu is a harmonic language, mimicking the waveform properties of light. The Keys Enoch speaks of, turn out to be sound keys, keys to be vibratory matrix of reality itself, the mythic 'Power of the World'. The Enochian knowledge describes sonic equations, encoded within the ancient mantras and god names, capable of directly affect the nervous system and producing profound effect of healing and higher consciousness states.

DNA, the ancient cabalistic Tree Of Life portrayed in the Biblical Torah, is now coming to be viewed as a live vibrating structure, rather than a fixed tape recording. Many modern scientists, regard DNA as a shimmering, waveform configuration, able to be modified by light, radiation, magnetic fields or sonic pulses. The legacy of Thoth/Enoch suggests this Language of Light the harmonic science of the ancients, could actually affect DNA.

The evidence in Egypt, indicates this was the grand 6,000 year genetic experiment attempted by the Egyptians, the quest for immortality and the stars, a quest described by the great ones of old, a quest initiated by Gilgamesh long ago. The Egyptians were not fixated on the afterlife, as thought by early Christian translators but, focused on creating a higher type of human. This also links with bio-genetic engineering, cloning and alien experiments. Along with many ancient cultures, they believed DNA came from the stars and was destined to return and transform.

The Greek word Phoenix derived from the Egyptian word Pa-Hanok, meaning "The House of Enoch". The Enochian knowledge suggests these regular cataclysmic changes act as an evolutionary agent provocateur, to quicken the resident life forms to the next evolutionary phase prior to exodus from the womb planet, creational egg.

The knowledge of Thoth and Enoch implies humans are meant to evolve beyond our present terrestrial form. The Egyptians recorded stories of the Star Walkers, occasional individuals who, like Enoch, traveled beyond the Great Eye of Orion [out of the program] and returned, to walk like gods amongst men. The ancient texts insist we are destined to become as gods, the Mayan Lords of Light and the Egyptian/Tibetan Shining Ones. We are in truth there DNA encoded to remember who we are. Such is the golden alchemy of time and consciousness.

According to many Earth legends, the Zep Tepi return at the beginning and end of each time cycle, the 13,000 year half-point of our solar system - 26,000 year zodiacal orbit around galactic center. Because of conditions on our galactic orbit, these 13,000 year intervals or worlds, seem to be separated by cataclysmic upheaval, as history teaches.

The 'calendar in stone' of the Great Pyramid, describes the so-called Phoenix Cycle of our galactic orbit, the present time period ends (converted to our present calendar) in the year 2012 AD. The Greek word Phoenix, derived from the Egyptian word, Pa-Hanok, actually means, The House of Enoch.

Enochian knowledge suggests regular cataclysmic changes act as an evolutionary agent provocateur to quicken the resident life forms to the next evolutionary phase, prior to exodus from the womb planet. Human evolutions occurring at a consciousness level. The evidence now appearing, records civilizations before us, who mastered the physical continuum and progressed beyond this world.




Zep Tepi or Tep Zepi?



In 2010 Bauval spoke about an era called Tep Zepi or the Beginning of Time.
According to legends, Tep Zepi happened when Sky Gods descended from the
stars to Earth on flying boats and turned mud and water into a new Kindgom.


One can assume both terms mean the same thing.
Tepi is Time and Zep is "Z" or Zero Point on the hourglass.

It is the place where time begins and ends.

Tick Tock! Time is up !




The Zep Tepi as the Anunnaki

The Rods had many functions




Rods of the Zep Tepi



Amun holds a Was





Ra holds a Was

Power and Dominion





Ptah holds a Djed - symbol of stability

He is depicted with the body of a fish
Amphibious Gods of Creation


Harmonic Rods of Creation







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