As I always looks for patterns in the program, I found this interesting article to tie a few more threads together. Memories of the "Squatter Man". Squatter Man takes us to creation motifs - axis mundi, the Caduceus or Rod of Hermes, Alchemy and the Omega Symbol, frogs' hind legs, (frogs, biogenetic experiments), (The Frogs, Aristophanes, 405 (9) BC), closure, etc. The squatting position is sometimes part of the birthing process.
The "squatter" or "stickman" figure is a ubiquitous symbol found in nearly every culture. It is often confused with a crude, distorted version of the human form. Some cultures speak of it as the big red man in the heavens.
Below is a simple illustration of a three-dimensional plasma discharge form appearing above ancient sky worshippers, inspiring a vast array of mythical interpretations. The laboratory verified configuration includes a transparent 'champagne glass' form above, a transparent 'hollow donut' (when seen edge-on), and the 'squashed bell' form below, all joined by an axial spine running down from the head of the figure.
When appearing in the heavens, this plasma discharge column--the axis mundi of world mythology--evolved through a series of "plasma instabilities" documented in high energy laboratory experiments.
A columnar discharge current breaks up into a string of sausage-like cells - usually 7 to 9 in number - which evolve into donut-like ring currents (toroids). The stacked toroids flatten into disks, and their edges fold away from the disk plane - upward in the top toroids and downward in the bottom ones. The form that we see as the "Stickman" is the culmination of a late phase, as a number of the flattened toroids fold up to form the stickman's head.
This squatting figure is one of the more stable (longer-lasting) plasma instabilities, and in this phase it was the the brightest and most terrifying component in a configuration of stunning impact on human imagination. The discharge form was recorded on stone by all human communities that witnessed it, and it influenced sacred designs across several millennia.
Often, as in the colorful images above, the designs will explain themselves through comparative analysis. But it is also helpful to remember that the configuration was visually alive. The ÒarmsÓ of the celestial figure, for example, were not stationary but dynamic toruses, warping or folding upward, then downward, then upward again.
The archetypal form can be seen in widely varied compositions. And as plasma discharge experts would be the first to point out, this includes innumerable ÒsecondaryÓ design elements, including the bi-polar thunderbolt loosely indicated in the Navaho rug design.
The thunderbolt takes us to Z as Zeus, reality as a bipolar electromagnetic energy grid experiment/experience. Zero Point Merge.