Friday June 12, 2026

In recent months I've blogged about the latest Spielberg film Disclosure Day - posting various YouTube teasers and trailers.

As someone who was taken at age 11 - and has been part of the UFO community since 1989 - as well as having a seemingly direct connection to extraterrestrials - there was nothing new for me in this film. My background and the evolution of Ellie Crystal has gone from mainstream to something unique that most people are not programmed for.

Readers of my daily Crystalinks' blogs over the past 30+ years were usually drawn to esoteric venues - based on their experiences and triggers of remembrance combined with research and intuitive knowing about extraterrestrial scenarios on planet Earth.

Today we recognize that there is a fine line between physics and metaphysics ... science and pseudoscience ... as those venues appear to be merging.

In "Disclosure Day" - Spielberg doesn't specify the origin of the Grays - but the possibilities are many - wormholes, other planets, time travelers, inserts in the simulation of realty, to name a few.

Human DNA can be thought of as time capsules, programmed to carry and transmit information through complex biological algorithms that dictate someone's life and destiny. In terms of Crystalinks - when the time is right and readers seek answers - it becomes a guide towards that end.

Life is ultimately about self-discovery. "Disclose Day" could be a turning point for the millions of people who will see it either in the theater or at home.

It is important to note that the film is not a documentary, but a sci-fi action-adventure exploring what might happen to the current version of humanity upon discovering we were/are not alone.

And yet, what value would there be in knowing we share reality with other lifeforms if it does not lead to knowledge, growth, and transformation?

"Disclose Day" touches on the idea that long-held beliefs in gods and creation may function as tools to help humanity process and cope with the emotional dynamics of a reality that can be viewed as a simulation set in place for the study of consciousness and emotions.

The film remains at its core, an entertaining adventure, while also reinforcing the idea that extraterrestrials may be part of Earth's historical narrative and an as-yet-unrevealed aspect of its future.

What connects with the audience is humanity's desire to learn more about enigmatic, undefined topics that directly affect them - topics that have remained a mystery, or have been misinterpreted, since the beginning.

Many people are familiar with the imagery of gray aliens, crashed UFOs, reverse-engineered technology, and reported alien-human abductions, as well as decades of experiments and speculation. These themes have fueled an ongoing stream of stories involving cover-ups and conspiracies - topics I have explored through the pages of Crystalinks.

June 11, 2026

It had been a while since I had gone to a movie theater preferring to watch at home on my big screen TV - the way of the world today. After seeing the trailers - nothing in me felt compelled to rush out to see "Disclosure Day" - but would wait for the digital version. That changed when I was invited to an exclusive preview - one day before the film officially premiered nationwide.

On a side note ... In honor of the Knicks basketball team winning Game 4 of the NBA Finals the night before - I dressed in orange with blue and gold earrings that look like clocks. Two days later ... the Knicks prevailed over the San Antonio spurs to win the 2026 championship after a 53 year drought. Yay!

Human, Extraterrestrial, Artificial Intelligence, or any intelligent life form - our story is based on the journey of humanity in the alchemy of time. Blue and gold are the colors of my book and screenplay - Sarah and Alexander. Although rejected as not professional enough - the screenplay was well received getting as far as Spielberg's and Roland Emmerich's readers.

Spielberg's "Disclosure Day" is an ambitious science fiction chase thriller that blends conspiracy drama with a spiritual parable.

Daniel Kellner (Josh O'Connor), a cybersecurity whistleblower and employee at the shadowy "Wardex Corporation," steals highly classified data along with an alien artifact. He becomes a fugitive, pursued by Wardex's leader, Noah Scanlon (Colin Firth), who serves as the film's primary antagonist.

At the same time in Kansas City, television meteorologist Margaret Fairchild (Emily Blunt) experiences a sudden awakening when a bird - a red carnation - lands on her kitchen table and their eyes connect. This triggers psychic abilities that include - speaking in tongues, mind reading, and telepathy, connected to childhood alien abductions.

Guided by Wardex defector Hugo Wakefield (Colman Domingo), Daniel and Margaret eventually meet. Together, they uncover information revealing that Wardex has been capturing and exploiting non-violent extraterrestrials for knowledge about alien technology used for reversed engineering.

Their plan is to take the information Daniel has stolen and broadcast evidence of alien life and governmental cover-ups on global television - reminiscent of many "X-Files" storylines, where Mulder and Scully continuously pursued the truth, though never fully achieving disclosure.

A great deal of action, including chase sequences and confrontations with antagonists, adds to the film's sense of momentum and excitement. However, what felt missing for me was the deeper soul connection that I expected to vicariously experience between Daniel and Margaret, which never fully materialized.

An important aspect often explored in UFOlogy is the idea of soul union or reunion - individuals with a shared or destiny who meet against all odds and embark on a journey to fulfill their purpose.

I didn't feel a resonance between Daniel and Margaret beyond their shared desire to reveal the truth to the world. I am not suggesting this needed to be a romantic relationship, but rather something more intangible - an emotional or spiritual connection that you feel on a deeper level, which, for me, missed the mark.

The action kept the audience glued to their seats over the two and a half hours as they processed what they were seeing based on their personal programming and beliefs.

After the move ended, I met a couple in my age group, who seemed to understand the dynamics of the film, enjoyed the characters, and were believers - although when I told them I had been taken as a child - I detected an aura of skepticism.

I sometimes forget that there are people out there who are programmed to believe we are alone in the universe - concepts about extraterrestrials alien to them.

-

Back in the TV Kansas City news station - multiple screens show the evidence David has protected - now globally viewed on various venues. Depicted are decades of hidden evidence regarding extraterrestrial life and human experiments, videos of spaceships falling from sky and their wreckage. It's all there ... everything you've ever read about or seen in reference to UFOs and extraterrestrials.

The best part of the film for me was the end when a tall, frail Gray alien (designated "In Vivo 17") walks onto the live broadcast stage just as the disclosure information is being beamed to the world. The alien is apparently aged and related to Spielberg's hypothesis of humans who tortured aliens for information, but it is a survivor dating back 80 years.

The alien slowly walks up to David and Margaret and communicates a mysterious message directly to them by emitting a rapid sequence of clicks and 8-bit binary tones that Davis is able to translate based on his alien programming on a UFO when he was a boy. He then translates the message and whispers it to Margaret.

She returns to the news desk to deliver the one-word translation to everyone watching. The message is simple. "Listen."

This is followed by a sudden fade-to-black ending for the film.

I have always posted that at the end of the simulation everything instantly FADES TO BLACK.

It is implied that Margaret and David could then serve as representatives for the alien species, delivering their peaceful message and protecting them from the kind of cruel treatment they faced with the U.S. government and Wardex.

The technologies and biology of the extraterrestrials are left largely unexplained, with the plot focusing less on those details and more on how humanity reacts to their existence.

In Spielberg's own words, the film's emphasis is more on human connection than even the eventual and hopeful connection between an off-world civilization and the human species. At the core of "Disclosure Day" is the question - Where has all our empathy gone?

That took me to another hypothesis connected to aliens that I learned about years ago - "If humanity doesn't get their act together, everything will be destroyed."

This theme has been repeated in prophecies forever - but really means nothing because we exist in a bipolar physical experiment/reality in which we are not programmed for peace, love and light, and empathy. We are programmed as an emotional experiment. Therefore, there life will always be bipolar - forever seeking balance but not programmed to that end.

One more fact ...Bearing in mind that grays are AI and do not age, this was merely a setup that leaves the storyline open-ended, just as our reality does for humans in most things they experience.

Even when we know we'll never find the answers, humans are programed to keep asking questions. It's not so much about getting the answers, but the journey taken.

If humans understood that they exist in a simulated reality - that information would fundamentally change the nature of everything - just as the knowledge of an extraterrestrial presence would have the same effect. It would not create the emotions Spielberg is going for - which is empathy. It would have the opposite effect. It would create fear, and fear makes people mean.

For today, in your life and that of the rest of the "characters" in the human experiment - the truth will probably never be known, accepted, nor understood within the advanced repository of knowledge that creates reality as we know it.

Overall, Spielberg, his production team, and everyone associated with "Disclosure Day" - have created something that serves as a useful tool for expanding human consciousness - inviting reflection on the possibility that we were never alone, that we may be a programmed species, and encouraging us to keep asking questions within the enigmatic reality in which we exist.

The film may prompt viewers to seek answers, reflect on unexplained experiences from their past, and consider that what was once labeled pseudoscience has, in some areas, entered mainstream scientific discussion - including not only the extraterrestrial hypotheses, but also simulation theory.

To answer the question "Are we alone?" According to Spielberg and others, the answer is a resounding No. Ancient alien theorist have spent decades attempting to support the idea that different races of extraterrestrials have visited planet Earth in the past, leaving behind enigmatic clues to their existence.

Though "Discovery Day" recycles things you already know - Spielberg puts a few new twists on old storylines, making it an enjoyable adventure, in the never ending story of humanity.

Spielberg and I are storytellers who continually find new ways to reframe familiar narratives in a more contemporary context in order to entertain, engage, and awaken those who encounter them.

As for the disclosure of millions of documents on UFOs and extraterrestrials - dating back at least 80 years - that probably will never happen. And if it did, the information will be heavily redacted or would not reveal anything we do not already suspect or understand.

My only hope for disclosure is that artificial intelligence may create a framework that can organize and interpret the data in a way that is intelligible to humans at humanity's current level of conscious awareness.

If you really want to learn more about the alien presence and agenda on planet Earth, I would suggest you watch Spielberg's ten-part mini-series, Taken.