Enkidu appears in Sumerian mythology as a mythical wild-man raised by animals; his beast-like ways are finally tamed by a courtesan named Shamhat. Later he adventures with Gilgamesh until his death in the Epic of Gilgamesh. Older sources sometimes transliterate his name as Enkimdu, Eabani or Enkita.
Enkidu is the quintessential savage man in the beginning of the epic:
Enkidu roamed with the beasts of the wilderness. He protected the animals, destroying the hunters' traps, and lurked around the watering holes to protect the game. These actions were much to the chagrin of a local trapper. The trapper went to King Gilgamesh to ask for help. Gilgamesh offered the advice "Trapper, go back, take with you a harlot, a child of pleasure ... he will embrace her and the game of the wilderness will surely reject him." The trapper did what he was told, and hired the harlot Shamhat to corrupt the wild man. Enkidu was immediately taken with the harlot and bedded her. Over six days of lust, Enkidu is tainted by the harlot. The animals begin to avoid him, the bond he once shared with them having been broken. Now "he scattered the wolves, he chased away the lions" and the herders could lie down in peace, for Enkidu was now their watchman.
After the abandonment of his animal brethren, Enkidu is introduced to a pastoralist way of life. He works for the trapper and shepherds, hunting and killing the animals he once served. Soon he grows restless, looking for a greater challenge.
Shamhat tells of a great king in the city Uruk (Gilgamesh) and says, too, that he would be a worthy challenge for Enkidu. Gilgamesh is surprised by Enkidu. The two wrestle fiercely for sometime, until suddenly Gilgamesh gains the upper hand and throws Enkidu to the ground. Knowing his defeat, Enkidu praises Gilgamesh and both swear an oath of friendship. For the remainder of the epic they cohabit, as lovers according to some interpretations.
Gilgamesh and Enkidu killing Humbaba
Enkidu assists Gilgamesh in his fight against Humbaba, the guardian monster of the Cedar forest. Contrary to Enkidu's conscience, he cooperates in killing the defeated Humbaba. Afterwards, he again assists his companion Gilgamesh in slaying the Bull of Heaven, which the gods have sent as reprisal. The goddess Ishtar demands that the pair should pay for its destruction. Shamash argues to the other gods to spare both of them, but could only save Gilgamesh. The gods pass judgment that Enkidu had no justification for fighting the Bull of Heaven and was interfering with the will of the gods. Enkidu then is overcome by a severe illness. Near death, he has visions of a gloomy afterlife, and curses the trapper and the harlot for civilizing him, the act which lead him to this doom.
Gilgamesh mourns over the body of Enkidu for several desperate days. In a vivid line repeated in the epic, Gilgamesh only allows his friend to be buried after a maggot falls out of the corpse's nose. Gilgamesh's close observation of rigor mortis and the slow decomposition of Enkidu's body provides the hero with the impetus for his quest for eternal life, and his visit to Utnapishtim.
There is another non-canonical tablet in which Enkidu journeys into the underworld, but many scholars consider the tablet to be a sequel or add-on to the original epic.
Historical Analysis
In many ways, Enkidu's transformation may represent the seductive power of the Mesopotamian city-states. His origins upon the steppe and his life as a companion of the wild beast suggests the hunter-gatherers living on the fringes of the territory of southern Iraq's early farmers. His subsequent transformation and acceptance of life in Uruk becomes a mythologized account of their slow approach to and assimilation within the boundaries of horticultural civilization.
On a more personal level, the taming of Enkidu by the harlot could be symbolic of the influence of the ego and material desires on the individual, leading them away from a natural, and into an artificial existence.
According to the Sumerian king list, Gilgamesh was the fifth king of Uruk (Early Dynastic II, first dynasty of Uruk), the son of Lugalbanda. Legend has it that his mother was Ninsun, a goddess.According to another document, the so-called History of Tummal, Gilgamesh, and eventually his son Urlugal, rebuilt the sanctuary of the goddess Ninlil, located in Tummal, a block of the Nippur city.
In the Epic of Gilgamesh it is often said that Gilgamesh ordered the creation of the legendary walls of Uruk. In historical age, Sargon of Akkad claimed to have destroyed these walls to prove his military force.
Fragments of an epic text found in Me-Turan (actual Tell Haddad) inform that Gilgamesh at the end of his life was buried under the waters of a river. The people of Uruk deviated the flow of the Euphrates, river crossing Uruk, with the purpose to bury the corpse of the dead king in the bed of the river.
Despite the lack of direct evidence, most scholars do not object to consideration of Gilgamesh as a historical figure, particularly after inscriptions were found confirming the historical existence of other figures associated with him: kings Enmebaragesi and Aga of Kish. If Gilgamesh was a historical king, he probably reigned in about the 26th century BC. Some of the earliest Sumerian texts spell his name as Bilgamesh.
In most texts, Gilgamesh is written with the determinative for divine beings (DINGIR), but there is no evidence for a contemporary cult, and the Sumerian Gilgamesh myths suggest the deification was a later development (unlike the case of the Akkadian god-kings). Historical or not, Gilgamesh became a legendary protagonist in the Epic of Gilgamesh.
In sumerian mythology she is the daughter of Enki and Ninhursag. When her brother Dumuzi died, Geshtinanna lamentated days and nights. After his death, she visited him in the underworld with Inanna, and was allowed to take his place there for six months out of the year. Her time in the underworld and her periodic emergence from it are linked with her new divine authority over the autumn vines and wine.
The Bull of Heaven, according to Kramer he is Ereshkigal's husband. After Gilgamesh spurned Inanna, she sends the Bull of Heaven to terrorize Erech.
Guardian of the cedar of the heart in the the "Land of the living", Huwawa has dragon's teeth, a lion's face, a roar like rushing flood water, huge clawed feet and a thick mane. He lived there in a cedar house. He appears to have attacked Gilgamesh, Enkidu and company when they felled that cedar. They then come upon Huwawa and Gilgamesh distracts him with flatery, then puts a nose ring on him and binds his arms. Huwawa grovels to Gilgamesh and Enkidu and Gilgamesh almost releases him. Enkidu argues against it and when Huwawa protests, he decapitates Huwawa.
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