Ellie The Great Pyramid and The Ark


Long ago and not so far away, the Great Pyramid was Home for me. It is the creational time machine of our grid program and allows us to experience in third dimension. I remembered coming through the pyramid in some distance timeline and being part of the synchronization and creation of this Cycle of Time. As I entered the world of Metaphysics - in this physical body of Ellie - synchronicities would lead me Home - the Pyramid - a place where I would 'accidentally' find a 9 -foot pyramid.

Measurement created by Geometry - The Arcs

The Great Pyramid was built following creational geometry.

It was designed and created by Thoth.




In the late 1980's . . . I became known as the 'Psychic in the Pyramid'.

My TV Talk Show, "The Metaphysical Experience",

Ending each week with a pyramid meditation.

There were endless psychic fairs and talk shows.


(South Hampton, Long Island)

I sometimes read clients in my home in the pyramid,
and use it for meditation and classes.


Art work was created about the Ellie and the pyramid
which became the logo on my business card.




In 1993 when I received my video tapes of the Drunvalo Melchizedek lecture about sacred geometry and his meetings in the Sphinx with Thoth - I knew we were on our way to unfolding the secrets of creation - a well kept secret by those would keep us trapped in the game - with busy work.

As I watched the videos - which came to me as a gift from one of my metaphysical students - I intuitively knew that I had to set up my pyramid and watch them from within.

For days the pyramid stood in my living room - the furniture rearranged to accommodate it.

Synchronicity - friends in metaphysics and often clients who came into my home at that time - were all linked to the unfoldment of this knowledge. Many of these people went on to study and teach the sacred knowledge.

Monday, December 17, a woman came to see me for a reading.

We hadn't had a session for many years.

She had never been to my current apartment - and reminisced about my house in Manhattan Beach where we met so many years ago.

Then she turned to me and asked, 'What happened to your Ark?"

"What Ark?" I replied as bells went off in my head!

"The Ark you used to sit in to do your readings?"

What an interesting choice of words! One never knows when one is to be triggered these days! For me it has been fast and furious.

My mind suddenly made another major connection - The Great Pyramid - Time Machine of Our Creation - A Synonym for the Ark - yet in a smaller version in the physical world - the Ark of the Covenant - like the Great Pyramid - a creational light energy.

I 'saw' the smaller Ark being taken through the physical Great Pyramid and put into the ethereal realms - the grids - as a trigger form humanity. Some souls would be guided to seek out the Ark as they search for creation and the power that comes with it - power that frees the soul from 3D entrapments.

As if I was moving in some sort of fast motion - in which time/reality no longer existed - I saw all of the mysteries come through the pyramid - perhaps as time markers - then leave and move through the pyramid from physical to non-physical. I further saw the use of tones - harmonics - as activators in the Great Pyramid. I saw no entities with this. It was as we are - physically manifest light energy - hopefully conscious.

My consciousness returned to third dimension and my client who sat there waiting for my reply.

I told her that through the years I had used my pyramid in many ways but I no longer had the space for it but that its energies could be felt always within my home.

Though she is not into metaphysical studies, she said that never before had she experienced energies quite like that moment - at least not since our reading so many years ago when I had channeled her deceased parents and we had refocused the patterns of her life in 3D for her journey ahead.





The Sign and the Seal

by Graham Hancock

The 'Curse' of Tutankhamen is real after all. But it is only dangerous to those who are not in accord with at least the ideal of becoming a Candidate Activator of the Spiritual Eye, those who are 'spiritually impure' in the 'opinion' of the four protective Shrines of Tutankhamen.

Graham Hancock mentions that those four protective Shrines, now located on the second floor of the Cairo Museum, begin to look more like actual 'prototype Arks of the Covenant.' The evidence in support of this possibility is really quite overwhelming.

In the words of Howard Carter, "Magic for once seems to have prevailed (when those Arks successfully protected Tutankhamen's sarcophagus from tomb-robbers in the Valley of the Kings near Luxor)." In his Volume Two on page 38 of "The Tomb of Tut-ankh-Amen," he continues, "For of twenty-seven monarchs of the Imperial Age of Egypt buried in this valley, who have suffered every kind of depredation, Tut-ankh-Amen, throughout those thirty-three centuries, alone has lain unscathed, even though predatory hands violated the chambers of his tomb..."

The King's Chamber of his tomb was originally filled with four concentrically nested 'prototype Arks of the Covenant' designed to magically protect his sarcophagus from anyone who was spiritually impure. And incredible as it may appear, there can be no doubt that they actually succeeded. Tomb-robbers broke open the double door seal of the outermost Ark and then just looked inside without penetrating beyond 'the magic barrier.'

The fact that Howard Carter himself lasted as long as he did after his penetration is more a tribute to his spiritual purity than anything else. The double door of the second Ark was closed by two ebony door bolts and a frail central cord secured only by a fragile clay seal.

The third Ark's double door was similarly sealed, and the fourth Ark's double door had no seal at all. Those two clay seals were all that stood between plundering tomb-robbers and hundreds of pounds of solid gold in the enclosed sarcophagus. What stopped them?

As Carter says, the tomb was wide open for many weeks to the prying eyes of every tomb-robber in the valley, while those four Shrines were being assembled by workers from 80 prefabricated parts in the confining space of the King's Chamber. It took Carter and his team 84 days of "hard labor" just to disassemble them in order to remove them

It looks as though something 'terrible' really did stop all those tomb-robbers. But this would mean that those four Shrines don't just resemble such prototype Arks. They really are prototype Arks of the Covenant. This indeed is what additional evidence will show from, of all places, The Great Pyramid Texts.

The required rectangular box shape of 'terrible power' for any such "monstrous instrument" had to be built into its dimensions, so that a prototype Ark could be activated by and "between the two prototype cherubim" of Isis and Nephthys as described repeatedly in The Great Pyramid Texts for activating the Eye of Heru.

Egyptologists have not yet discovered that all four of Tutankhamen's Shrines have a common prefabricated "cross-sectional area" to "length squared" ratio of (9/25) according to the published dimensions in Alexandre Piankoff's "The Shrines of Tut-ankh-Amon." This is the same 'terrible' ratio which was specified for the Biblical Ark of the Covenant.

The Nine was a deliberate link to the paranormal forces of the Eye of Heru, when activated by and between the two prototype cherubim. It is not too surprising that Nine might have such a weird connection with miraculous forces because in 1926, Erwin Schroedinger discovered a strange Quantum Mechanical Equation which turned out to have just such a set of Nine prototype solutions for the electron energy structures of the hydrogen atom.

As described in "The Sign and the Seal" on pp. 273-6, the Biblical Ark of the Covenant:

1. was "a rectangular chest measuring three feet nine inches by two feet three inches by two feet three inches" which is a special case of the more general (9/25) shape ratio specification referred to earlier for all four Shrines,

2. was "made of acacia wood" (Egyptologists believe the four Shrines are made of cedar wood),

3. was "plated inside and out, with pure gold" (the four Shrines were similarly covered),

4.was decorated "all around with a gold molding" (all four Shrines have such a molding all around the top edge of the rectangular box shapes),

5.had placed "on top ... a one piece ... throne of mercy ... with two golden cherubim fastened to the two ends" (all four Shrines have such prototype mercy seat lids with two golden prototype cherubim attached as high-winged serpent forms of Isis and Nephthys),

6. had occasionally "fiery jets" issuing "from the cherubim" ... which "burned and destroyed nearby objects" ( ... it is because a Candidate has come near you, O fiery serpent, PT 194b),

7. "was able to counteract gravity" ( ... Which mechenet Ark Eye shall be brought for you, O Candidate? There shall be brought for a Candidate 'It levitates and It hovers.' PT 494ab)

8.repeatedly killed ( ... so that whomever the Godhead wishes that he will live, it is he who will live; and whomever he wishes that he will die, it is he who will die. PT 155d).

Three of the four prototype mercy seats are covered with activation texts and illustrations, but they are too far above everyone's head to be visible from below.

If four Prototype Arks of the Covenant can now be in the Cairo museum, there is no reason why the Biblical Ark can't be in Axum, Ethiopia. And if the guardian priest in Axum will not allow us to see the Ark, at least we have four giant prototype Arks to look at whenever we wish to or dare to.

The Great Pyramid Texts, as here conceived, have given a voice to the Great Pyramid. But, in a strangely self-confirming way, they have also given a startlingly unexpected voice to the nearby Great Sphinx temple complex southeast of the Great Pyramid itself. The Sphinx Temple is directly in front of the Great Sphinx, while the so-called Kh'afr'a Valley Temple is just southeast of the Sphinx.

The entire Great Sphinx temple complex is presently thought to be devoid of contemporaneously inscribed texts. Egyptologists believe that both temples were built by Kh'afr'a about forty-five centuries ago in the 4th Dynasty. But as argued by John Anthony West on page 214 of Serpent in the Sky, "The architectural style and building scale of the Sphinx and Sphinx temple complex are unlike anything else in Dynastic Egypt."

The megalithic red granite ashlars, as architectural Hieroglyphs in both temples, alone indicate a predynastic date. According to Mark Lehner on page 126 of The Complete Pyramids in the Kh'afr'a Valley Temple "There are 23 statue bases, though the one at the center of the leg of the T-shaped hall is wider and perhaps was counted twice, making 24 in all." And again on page 128 he says that in the Sphinx Temple, "Twenty-four red granite pillars formed a colonnade and ambulatory around a central courtyard." However they have no known purpose.

But in The Great Pyramid Texts, there just happens to be one key Utterance 219 which repeats the same profound prototype Covenant in lines 167b to 167d exactly twenty-four times. As it does this, it seeks to explain the relationship between An Activator of the Eye and the rest of the Universe from the Godhead down to beings like ourselves. Egyptologists do not agree on how to read this prototype Covenant text, but a programmable translated sample has a reasonably clear meaning in this first of its twenty-four parts.



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