
The Runic alphabets are a set of related alphabets using letters known as runes, formerly used to write Germanic languages, mainly in Scandinavia and the British Isles. In all their varieties they may be considered an ancient writing system of Northern Europe. The Scandinavian version is known as Futhark (derived from its first six letters: 'F', 'U' 'Th', 'A', 'R', and 'K'), and the Anglo-Saxon version as Futhorc (also so named after its first letters). The earliest runic inscriptions date from ca. 150, and the alphabet was generally replaced by the Latin alphabet with Christianisation, by ca. 700 in central Europe and by ca. 1400 in Scandinavia. However, the use of runes persisted for specialized purposes, mainly in Scandinavia and in rural Sweden until the early 20th century (used mainly for decoration as Dalecarlian runes and on Runic calendars).
The three best known runic alphabets are:
The Younger Futhark is further divided into:
The most likely candidates for the origins of runic scripts are the 5th to 1st century BC Northern Italic alphabets, Lepontic, Rhaetic and Venetic, all closely related to each other and themselves descended from the Old Italic alphabet. These scripts bear a remarkable resemblance to the Futhark in many regards.
Background
T h e r u n e s w e r e i n t r o d u c e d t o , o r i n v e n t e d b y , t h e G e r m a n i c p e o p l e s i n t h e 1 s t o r 2 n d c e n t u r y ( T h e o l d e s t k n o w n r u n i c i n s c r i p t i o n d a t e s t o c a . t h e 1 6 0 s a n d i s f o u n d o n a c o m b d i s c o v e r e d i n t h e b o g o f V i m o s e , F u n e n . T h e i n s c r i p t i o n r e a d s h a r j a ) . W h i l e a t t h i s t i m e t h e G e r m a n i c l a n g u a g e w a s c e r t a i n l y n o t a t t h e P r o t o - G e r m a n i c s t a g e a n y l o n g e r , i t m a y s t i l l h a v e b e e n a c o n t i n u u m o f d i a l e c t s n o t y e t c l e a r l y s e p a r a t e d i n t o t h e t h r e e b r a n c h e s o f l a t e r c e n t u r i e s , v i z . N o r t h G e r m a n i c , W e s t G e r m a n i c a n d E a s t G e r m a n i c . M o s t o f t h e e a r l y r u n e s f r o m t h e S c a n d i n a v i a n c o u n t r i e s a r e a s s u m e d t o b e i n t h e P r o t o - N o r s e , t h e c o m m o n a n c e s t o r l a n g u a g e o f t h e m o d e r n N o r t h G e r m a n i c l a n g u a g e s . N o d i s t i n c t i o n i s m a d e i n s u r v i v i n g r u n i c i n s c r i p t i o n s b e t w e e n l o n g a n d s h o r t v o w e l s , a l t h o u g h s u c h a d i s t i n c t i o n w a s c e r t a i n l y p r e s e n t p h o n o l o g i c a l l y i n t h e s p o k e n l a n g u a g e s o f t h e t i m e . S i m i l a r l y , t h e r e a r e n o s i g n s f o r l a b i o v e l a r s i n t h e E l d e r F u t h a r k ( s u c h s i g n s w e r e i n t r o d u c e d i n b o t h t h e A n g l o - S a x o n F u t h o r c a n d t h e G o t h i c a l p h a b e t a s v a r i a n t s .
T h e s o u n d s r e p r e s e n t e d b y t h e r u n e s t h e m s e l v e s b e g a n t o d i v e r g e s o m e w h a t , a n d e a c h c u l t u r e w o u l d e i t h e r c r e a t e n e w r u n e s , r e n a m e o r r e a r r a n g e i t s r u n e n a m e s s l i g h t l y , o r e v e n s t o p u s i n g o b s o l e t e r u n e s c o m p l e t e l y , t o a c c o m m o d a t e t h e s e c h a n g e s . T h u s , t h e A n g l o - S a x o n F u t h o r c h a s s e v e r a l r u n e s p e c u l i a r u n t o i t s e l f t o r e p r e s e n t d i p h t h o n g s u n i q u e t o ( o r a t l e a s t p r e v a l e n t i n ) t h e A n g l o - S a x o n d i a l e c t .
H o w e v e r , t h e f a c t t h a t t h e y o u n g e r F u t h a r k h a s s i x t e e n r u n e s , w h i l e t h e E l d e r F u t h a r k h a s t w e n t y f o u r , i s n o t f u l l y e x p l a i n e d b y t h e s o m e s i x h u n d r e d y e a r s o f s o u n d c h a n g e s t h a t h a d o c c u r r e d i n t h e N o r t h G e r m a n i c l a n g u a g e g r o u p . T h e d e v e l o p m e n t h e r e m i g h t s e e m r a t h e r a s t o n i s h i n g , s i n c e t h e y o u n g e r f o r m o f t h e a l p h a b e t c a m e t o u s e t h e s a m e f e w r u n e s t o e x p r e s s a n u n u s u a l l y g r e a t n u m b e r o f d i f f e r e n t p h o n e m e s t h a t t h e o l d e r v e r s i o n h a d d i s t i n g u i s h e d c l e a r l y . F o r e x a m p l e , v o i c e d a n d u n v o i c e d c o n s o n a n t s m e r g e d i n s c r i p t , a n d s o d i d m a n y v o w e l s . L a t e r , t h i s d i s a d v a n t a g e w a s p a r t l y e l i m i n a t e d i n t h e d o t t e d r u n e s o f D a l e c a r l i a .
T h e n a m e g i v e n t o t h e s i g n s , c o n t r a s t i n g t h e m w i t h L a t i n o r G r e e k l e t t e r s , i s a t t e s t e d o n a 6 t h c e n t u r y a l a m a n n i c r u n e s t a f f a s r u n a , a n d p o s s i b l y a s r u n o o n t h e E i n a n g s t o n e ( c a . 4 t h c e n t u r y ) . T h e n a m e i s f r o m a r o o t r u n - ( G o t h i c r u n a ) m e a n i n g " s e c r e t " ( c . f . a l s o t h e c h a p t e r s o f t h e K a l e v a l a , c a l l e d r u n o , p l u r a l r u n o t , a l o a n f r o m N o r t h G e r m a n i c ) .
Norse
In Norse mythology, the invention of runes is attributed to Odin: The Hávamál (stanzas 138, 139) describes how Odin receives the rune through his self-sacrifice.
The Icelandic sources do not relate how the runes were transmitted to mortal men, but in 1555, the exiled Swedish archbishop Olaus Magnus recorded a tradition that a man named Kettil Runske had stolen three rune staffs from Odin and learnt the runes and their magic.
The runes developed comparatively late, centuries after the Central European alphabets from which they are probably descended. There are some similarities to alphabets of Phoenician origin (Latin, Greek, Italic) that cannot possibly all be due to chance.
However, other letters seem to be independent. The Old Italic alphabet is usually quoted as a candidate for the origin of the runes. Their angular shapes are generally interpreted as an adaptation to the practice of carving in wood (rather than writing with a reed or a brush). This hypothesis is supported by the inscription on the Negau helmet dating to the 2nd century BC. This is in a northern Etruscan alphabet, but features a Germanic name, Harigast.
R u n e s a r e a p o p u l a r f i e l d f o r s c h o l a r s , a n d m a n y i m a g i n a t i v e i d e a s h a v e b e e n a d v a n c e d , s u c h a s a c l a i m b y O l a u s R u d b e c k S r i n A t l a n t i c a t h a t a l l w r i t i n g s y s t e m s o r i g i n a t e f r o m p r o t o - r u n i c s c r i p t s . A n o t h e r t h e o r y i s t h a t t h e r u n e s o r i g i n a t e d d i r e c t l y f r o m t h e M i d d l e E a s t , a n d a r e r e l a t e d t o t h e N a b a t a e a n a l p h a b e t , a v a r i a n t o f t h e P h o e n i c i a n a l p h a b e t .
T h e i n t r o d u c t i o n o f r u n e s i s i n t h i s s c e n a r i o a s c r i b e d t o t h e R o m a n l e g i o n s , w h i c h l e f t S y r i a P a l a e s t i n a d u r i n g t h e 2 n d c e n t u r y . T h i s t h e o r y i s b a s e d o n d i s c o v e r y o f e a r l y r u n e s o n w e a p o n s , s u c h a s l o n g b o w s , a n d a r r o w h e a d s , c h a r a c t e r i s t i c a l l y b e l o n g i n g t o t h e s e s o l d i e r s . ( T h e h i s t o r i c a l N a b a t a e a n k i n g d o m , s p a n n i n g J o r d a n , S i n a i , a n d S o u t h I s r a e l , c o r r e s p o n d s t o e a r l y A r a b i a . )
T h e " W e s t G e r m a n i c h y p o t h e s i s " s p e c u l a t e s o n a n i n t r o d u c t i o n b y W e s t G e r m a n i c t r i b e s . T h i s h y p o t h e s i s i s b a s e d o n c l a i m i n g t h a t t h e e a r l i e s t i n s c r i p t i o n s o f c a . 2 0 0 , f o u n d i n b o g s a n d g r a v e s a r o u n d J u t l a n d , e x h i b i t W e s t G e r m a n i c n a m e f o r m s , e . g . w a g n i j a , n i œ i j o , a n d h a r i j a , a n d t h a t t h e s e n a m e s r e f e r t o h i t h e r t o u n k n o w n t r i b e s l o c a t e d i n t h e R h i n e l a n d .
H o w e v e r , S c a n d i n a v i a n s c h o l a r s i n t e r p r e t e t h e s e i n s c r i p t i o n s a s P r o t o - N o r s e , b u t i t s h o u l d b e n o t e d t h a t t h e d i f f e r e n c e s b e t w e e n P r o t o - N o r s e a n d o t h e r G e r m a n i c d i a l e c t s w e r e s t i l l m i n u t e a n d t h a t t h e c l a s s i f i c a t i o n i s m o s t l y b a s e d o n l o c a t i o n r a t h e r t h a n f o r m s . A n y c l a i m t h a t t h e f o r m s r e f e r t o u n k n o w n t r i b e s m u s t b e c o n s i d e r e d h i g h l y s p e c u l a t i v e . I n t h e l a t e r M i d d l e A g e s , r u n e s w e r e m o s t l y u s e d i n t h e C l o g a l m a n a c s ( s o m e t i m e s c a l l e d R u n i c s t a f f , P r i m o r S c a n d i n a v i a n c a l e n d a r ) t h a t b e c a m e s t a n d a r d e q u i p m e n t w i t h i n N o r t h e r n E u r o p e w i t h t h e i n t r o d u c t i o n o f C h r i s t i a n i t y . T h e a u t h e n t i c i t y o f s o m e m o n u m e n t s b e a r i n g R u n i c i n s c r i p t i o n s f o u n d i n N o r t h e r n A m e r i c a i s d i s p u t e d , b u t m o s t o f t h e m d a t e f r o m m o d e r n t i m e s .
Magic and Divination
The Björketorp Runestone. It is 4.2 m tall.The earliest runic inscriptions were certainly not coherent texts of any length, but simple markings on artifacts (e.g. bracteates, combs, etc.), giving the name of either the craftsman or the proprietor, or, sometimes, remaining a linguistic mystery. Because of this, it is possible that the early runes were not so much used as a simple writing system, but rather as magical signs to be used for charms, or for divination. The name rune itself, taken to mean "secret, something hidden", seems to indicate that knowledge of the runes was originally considered esoteric, or restricted to an elite. The eerie 6th century Björketorp Runestone warns in Proto-Norse using the word rune in both senses.
The same curse and use of the word rune is also found on the Stentoften Runestone. There are also some inscriptions suggesting a medieval belief in the magical significance of runes, such as the Franks Casket (AD 700) panel.However, it has proven difficult to find unambiguous traces of runic "oracles": Although Norse literature is full of references to runes, it nowhere contains specific instructions on divination or magic. There are at least three sources on divination with rather vague descriptions that may or may not refer to runes, Tacitus' Germania, Snorri Sturluson's Ynglinga saga and Rimbert's Vita Ansgari.
T h e f i r s t s o u r c e , T a c i t u s '