Palmistry          Chiromancy


Chiromancy or 'cheiromancy', is the art of characterization and foretelling the future through the study of the palm, also known as palmistry, palm-reading, chirology or hand analysis. The practice is found all over the world, with numerous cultural variations. Those who practice chiromancy are generally called palmists, palm readers, hand readers, or chirologists.

Palmistry can trace its roots back to Indian (Hindu) Astrology (known in Sanskrit as Jyotish) and Roma (gypsy) fortune tellers. The Hindu sage Valmiki is thought to have written a book, whose title translates in English as "The Teachings of Valmiki Maharshi on Male Palmistry", comprising 567 stanzas, more than 5,000 years ago.

From India, the art of palmistry spread to China, Tibet, Egypt, Persia and to other countries in Europe. Palmistry came to China in around 3,000 B.C. It then progressed to Greece where Anaxagoras practised it. However, modern palmists often combine traditional predictive techniques with psychology, holistic healing, and alternative methods of divination.

The practice of chiromancy is generally regarded as a pseudoscience. It should be noted that the information outlined below is briefly representative of modern palmistry; there are many, often conflicting, interpretations of various lines and palmar features across various "schools" of palmistry.

Chiromancy consists of the practice of evaluating a person's character or future by "reading" the palm of that person's hand. Various "lines" ("heart line", "life line", etc.) and "mounts" (or bumps) (chirognomy), purportedly suggest interpretations by their relative sizes, qualities, and intersections. In some traditions, readers also examine characteristics of the fingers, fingernails, fingerprints and palmar skin patterns (dermatoglyphics), skin texture and color, shape of the palm, and flexibility of the hand.

A palm reader usually begins by reading the person's 'dominant hand' (the hand he or she writes with or uses the most). In some traditions of palmistry, the other hand is believed to carry past-life or karmic information, as well as hereditary traits which is not the case. One lines form on the palm they remain there. New lines are created as a person experiences life.

Chiromancy consists of the practice of evaluating a person's character or future life by "reading" the palm of that person's hand. Various "lines" ("heart line", "life line", etc.) and "mounts" , purportedly suggest interpretations by their relative sizes, qualities, and intersections. In some traditions, readers also examine characteristics of the fingers, fingernails, fingerprints and palmar skin patterns (dermatoglyphics), skin texture and color, shape of the palm, and flexibility of the hand.

A reader usually begins by reading the person's 'dominant hand' (the hand he or she writes with or uses the most)(sometimes considered to represent the conscious mind, whereas the other hand is subconscious). In some traditions of palmistry, the other hand is believed to carry hereditary or family traits, or, depending on the palmist's cosmological beliefs, to convey information about past-life or karmic conditions.

The basic framework for "Classical" palmistry (the most widely taught and practiced tradition) is rooted in Greek mythology. Each area of the palm and fingers is related to a god or goddess, and the features of that area indicate the nature of the corresponding aspect of the subject. For example, the ring finger is associated with the Greek god Apollo; characteristics of the ring finger are tied to the subject's dealings with art, music, aesthetics, fame, wealth, and harmony.




History of Palmistry

Palmistry is an ancient practice that can be found dating back thousands of years. The prehistoric caves in France and Spain display hand drawings of palms with the major lines portrayed in amazing detail. Judging by the number of hands painted in prehistoric caves it would seem the human hand held a interest for humans since the stone age. Archaeological discoveries have discovered hands made of stone, wood and ivory by ancient civilizations. The use of the palm of the hand as a tool for healing, a link between man and god, as been repeated over and over again in history.

Palmistry can trace its roots back to India in (Hindu) Astrology (known in Sanskrit as Jyotish), Chinese Yijing (I Ching), and Roma (Gypsy) fortune tellers. The Hindu sage Valmiki is thought to have written a book, whose title translates in English as "The Teachings of Valmiki Maharshi on Male Palmistry", comprising 567 stanzas. From India, the art of palmistry spread to China, Tibet, Egypt, Persia and to other countries in Europe From China, palmistry progressed to Greece where Anaxagoras practiced it. However, modern palmists often combine traditional predictive techniques with psychology, holistic healing, as well as alternative methods of divination.

The basic framework for Classical Palmistry (the most widely taught and practiced tradition) is rooted in Greek mythology. Each area of the palm and fingers is related to a god or goddess, and the features of that area indicate the nature of the corresponding aspect of the subject. For example, the ring finger is associated with the Greek god Apollo; characteristics of the ring finger are tied to the subject's dealings with art, music, aesthetics, fame, and harmony. Aristotle (384-322 b.c) discovered a treatise on Palmistry on an altar to the god Hermes. The Greek physicians Hippocrates and Galen (ad 130-200) were both knowledgeable about the use of palmistry as a clinical aid.

The emperor of China used his thumbprint when sealing documents in 3000 BC. Information on the laws and practice of hand reading have been found in Vedic scripts, the bible and early Semitic writings.

The ancient Vedas, the earliest sacred Hindu writings, studied the hands as a means to unveil and understand the self and relationships with others. Here began an understanding that the unique patterns of lines and signs in the hand are a direct result of the way we think - consciousness creating the human blueprint for experience.

Julius Caesar is said to have judged his men by palmistry.

An early writing using the word Palmistry - spelled 'Pawmestry' - was written in 1420 by John Lyndgate in his Assembly of Gods documents.

The first book on Palmistry was Michael Scotts De Philsiognomia written in 1477 on the physiognomy of the human body with a chapter on all the aspects of the human hand. He wrote, Just as a pebble thrown into the water creates ripples, so our thoughts create similar effects on our palms.

In the seventeenth century many books were written that included the early gypsy ideas about the hand that had been handed down through tradition since the early 1400s.

The practice of palmistry was unfortunately forced underground by the Catholic Church who branded it devil worshiping.

By the eighteenth century books were written blending some scientific information about the hand with mysticism. Since then Palmistry was aligned with the idea that a person read the hand with a scientific eye and spoke from intuition. Palmistry then was a form of prediction that was as individual as the hand.

And so evolved the gypsy fortune teller as the hand of hate created the 18th century grid experiences for humanity.

Marie Anne le Norman was a famous French fortune teller in Napoleon's court who created great interest in Palmistry because of her predictive successes with Napoleon and Josephine. Two other Frenchmen DArpentigny born in 1798 and Desbarrolles born in 1801 wrote on the subject.

Dr Carl Carus, physician to the king of Saxony in the 19th century matched palms to personality.

Patrick "The Mysterious" Goodden, was said to be able to predict someone's exact date of death by looking at someone's hand. He died in 1875 and ironically predicted the completely wrong day of death.

Alex "The Mighty" Bernas, it has been said, could not only predict date of death but also the cause of death. He was known to heal as well and was not only revered as a chiromancer but also a witch doctor.

Cheiro, as he is known by nickname, was said to have predicted correctly dates and events in the lives of many renowned celebrities, including Marilyn Monroe, and even his own death.

There has always been skepticism about palmistry. Yet in the 21st century people study the lines on the hands with children born with various challenges such as autism, Downs Syndrome, ADD, among others. There often is a correlation which one day may help in early diagnosis of childhood illnesses which go undetected in early childhood.

As we came to study the lines on the fingers as a personal blueprint of signature for an individual, forensic research would determine that fingerprints were unique to each individual.

In 1901 Scotland Yard adopted the technique of fingerprinting in criminal investigation and identification. Fingerprint identification is sometimes referred to as dactyloscopy. It involves the process of comparing questioned and known friction skin ridge impressions from fingers, palms, and toes to determine if the impressions are from the same finger. The flexibility of friction ridge skin means that no two finger or palm prints are ever exactly alike even two impressions recorded immediately after each other. Fingerprint identification occurs when an expert (or an expert computer system operating under threshold scoring rules) determines that two friction ridge impressions originated from the same finger or palm (or toe, sole) to the exclusion of all others.

Medical researchers studying skin patterns - Dermatoglyphics - have discovered a correspondence between genetic abnormalities and unusual markings in the hand. Research has confirmed a link between specific fingerprint patterns and heart disease.




Hand Shapes


Though there are debates on which hand is better to read from, both have their own significance. It is custom to assume that the left hands shows potential in an individual, and the right showed realized personality. Some sayings about the significance include "The future is shown in the right, the past in the left"; "The left hand is the one we are born with, and the right is what we have made of it"; "The right hand is read for men, while the left is read for women"; "The left is what the gods give you, the right is what you do with it." The choice of hand to read is ultimately up to the instinct and experience of the practitioner.

The Left Hand is controlled by the right brain (pattern recognition, relationship understanding), reflects the inner person, the natural self, the anima, and the lateral thinking. It could even be considered to be a part of a person spiritual and personal development. It is the "yin" of personality (feminine and receptive).

The Right Hand is controlled by the left brain (logic, reason, and language), reflects the outer person, objective self, influence of social environment, education, and experience. It represents linear thinking. It also corresponds to the "yang" aspect of personality (masculine and outgoing).

Depending on the type of palmistry practiced, and the type of reading being performed, palmists may look at various qualities of the hand, including the shapes and lines of the palm and fingers; the color and texture of the skin and fingernails; the relative sizes of the palm and fingers; the prominence of the knuckles; and numerous other attributes of the hands.

In most schools of palmistry, hand shapes are divided into four or 10 major types, sometimes corresponding to the Classical elements or temperaments. Hand shape is believed to indicate character traits corresponding to the type indicated (i.e., a "Fire hand" would exhibit high energy, creativity, short temper, ambition, etc. - all qualities believed to be related to the Classical element of Fire).

Although variations abound, the most common classifications used by modern palmists:

Earth Hands are generally identified by broad, square palms and fingers, thick or coarse skin, and ruddy color. The length of the palm from wrist to the bottom of the fingers is usually equal to the length of the fingers.

Air Hands exhibit square or rectangular palms with long fingers and sometimes protruding knuckles, low-set thumbs, and often dry skin. The length of the palm from wrist to the bottom of the fingers is usually equal to the length of the fingers.

Water Hands are seeable by the short, sometimes oval-shaped palm, with long, flexible, conical fingers. The length of the palm from wrist to the bottom of the fingers is usually less than the width across the widest part of the palm, and usually equal to the length of the fingers.

Fire Hands are characterized by a square or rectangular palm, flushed or pink skin, and shorter fingers. The length of the palm from wrist to the bottom of the fingers is usually greater than the length of the fingers.

The number and quality of lines can also be included in the hand shape analysis; in some traditions of palmistry, Earth and Water hands tend to have fewer, deeper lines, while Air and Fire hands are more likely to show more lines with less clear definition.




Lines




1: Life Line
2: Head Line (Education)
3: Heart Line (Marriage, Relationships)
4: Girdle of Venus (Empath)
5: Girdle of Venus in the shape of a "V" (Homosexual)
6: Sun (Apollo) Line (Creative, Metaphysics, Health)
7: Mercury Line (Communication, Travel)
8: Fate (Career) Line - Goes from the Wrist Upward)

The three lines found on almost all hands, and generally given most weight by palmists:

According to Cheiro, this line is thought to endow a person with an intensity of purpose or single-mindedness, the nature of which is decided upon by exact position of this line on the hand and the direction of any branches shooting from it, which is normally the case. In hands where such a line exists without any branches as a singular mark, it indicates an extremely intense nature and special care is needed for such persons.

The normal position for the line is starting below the index finger and ending where normally the heart line terminates at the edge of the hand below the little finger, indicating average interests for the person and the intense side of the nature is decided purely by the direction of any branches shooting from it.

The upper half of the palm lying immediately below the fingers is considered to represent the higher or intellectual nature and the lower half of the palm to represent the materialistic side of the nature. If one of these halves is larger than the other as decided by the central placement of the head line or in this case the single transverse palmar crease it shows greater development of that aspect of the nature.

Based on this general principle, if this line is placed below its normal position it indicates an intensely intellectual nature; if it is placed above its normal position it indicates an intensely materialistic nature and interests.

The direction in which any branches may be found shooting from this line have a significant impact on the nature of this line resulting in suitable modifications from the above defined results depending on the nature of the mounts on the hand. For instance, if a branch from this line shoots to the mount of Moon lying on the lower edge of the hand exactly opposite the thumb, it indicates an intensely vacillating nature and emotional temperament.

Other minor lines

Sun Line - parallel to the Fate Line, under the ring finger; believed to indicate fame or scandal

Girdle of Venus - starts between the little and ring fingers, runs in a rough arc under the ring and middle fingers to end between the middle and pointer fingers; thought to relate to emotional intelligence and the ability to manipulate

Union Lines - short horizontal lines found on the percussive edge of the palm between the Heart Line and the bottom of the little finger; believed to indicate close relationships, sometimes - but not always - romantic.

Mercury Line - runs from the bottom of the palm near the wrist, up through the palm towards the little finger; purported to be an indicator of persistent health issues, business acumen, or skill in communication.

Travel Lines - these are horizontal lines found on the percussive edge of the palm between the wrist and the heart line; each line is said to represent a trip taken by the subject - the longer the line, the more important the trip is to the subject.

Other Markings - these include stars, crosses, triangles, squares, tridents, and rings under each of the fingers; their supposed impact and meaning varies by location on the palm and freedom from other interfering lines.

Apollo Line - the Apollo line means to have a fortunate life; it travels from the Mount of the Moon at the wrist to beneath the Apollo finger.

Ominous Line - crosses life line and forms 'x' shape; very bad sign to find; palm readers will often not mention this line because of the worry it causes to the person being read. Common indicators of ominous line include 'M' being formed by other lines. Other lines: Pentagrams [goddess energies], Stars, Circles, Triangles, Letters of the Alphabet

All lines are read according to the area of the palm where they are found.




Lines and Money Lessons

A palm print often has a line that defines people who will never get their loan back if they lend money to others. Any money lent by these people must be thought of as a gift or there will be consequences.




Mounts



The mounts refer to the fleshy areas that appear on your palm. The most prominent ones are roughly at the base of each finger.

The hand is divided into seven segments called mounts. Each mount relates to a corresponding planet with a specific portfolio. The mounts of the hand provide a tangible record of how we deal with each of these planetary influences, and what our challenges are.

The mounts also represent the colors in the spectrum of the rainbow. The more each mount begins to reflect the characteristics of its own specific light frequency, the more representative it becomes of the superconscious soul or light within.

The mounts are Luna, Venus, Mars (formed by its negative and positive poles), Jupiter, Saturn, Sun, and Mercury.

Following is a brief description of the mounts and the specific characteristics that they reflect.

Mount of Luna (or Moon - represents the first stage of our evolutionary process. Luna stands for the original plan of creation, as in the Bible quotation, "in the beginning was the Word..." As such, it relates to the collective unconscious as well as to each personŐs individual receptivity to tune into that creative source. Luna pertains to the qualities of perception, creativity, imagination and sensory awareness. Luna is the feminine.

Venus Mount - next in the sequence of mounts, represents the actual physical manifestation of the concept which was initiated in Luna. (... and the Word was made flesh....*). Venus represents the actual cellular makeup - or energy - that manifests itself in physical form. It shows the condition of the body and how at home we feel in our physical form. The mount of Venus reflects the presence or absence of qualities such as harmony, kindness, grace, charm and love. It reflects our degree of physical and sexual health, sensuality and beauty.

Mars Negative Mount - is the next focus of attention for the unfolding human soul. Symbolically, it relates to the mobilization of the spark of incarnate energy originally conceived and then brought into being through Luna and then Venus. Mars negative stands for our energy, which, when not properly harnessed and channeled, can lead to exhaustion, or possibly to anger and aggression.

Jupiter Mount represents the awakening of the conscious mind. In India, it is referred to as the guru or dispeller of darkness. It speaks of our sense of purpose - what role we want to play in life. Jupiter stands for ambition, confidence, leadership and justice.

Saturn Mount indicates the necessity to search within. It represents the alchemist who is able to synthesize the experiences of Jupiter in order to extract a deeper meaning of life. Saturn stands for wisdom, co-ordination and discernment.

Sun (Apollo) Mount indicates our desire to share all that has been learned from the profound nature of Saturn. It is referred to as atma and represents our soul. The Sun shows that aspect within us which can transcend any limitations. Success, charisma and integrity are all characteristic of the Sun.

Mercury Mount - In India, stands for the Buddha and reflects an "enlightened consciousness. It relates to our involvement in the world, and also our ability to be detached from the fruits of our actions. Mercury denotes intuition, spontaneity and the ability to communicate effortlessly.

Mars Positive Mount (which, with Mars negative - located on the opposite side of the palm - forms the Mars galaxy). Whereas Mars negative relates to our physical energy, Mars positive deals with our mental strength. Positive characteristics include endurance, persistence, and a calm mental state.




Fingers

The fingers are divided into 3 phalange (sections) each with a different reference on each finger.

Jupiter (Index) Finger:

Saturn Finger:

Apollo Finger:

Mercury Finger:

Venus Finger:

The lengths of the Jupiter and Apollo fingers must be compared. If the Jupiter finger is shorter the person is often a late bloomer as they will follow the dictates of others and will not seek their own goals until their thirties.

Spaces between fingers: Wide between Saturn and Jupiter: Will overspend


Hold the dominate hand (the one you write with) upward facing you and note the following:




Creating a Palm Print



Tools to create a palm print can be purchsed on Amazon. They include: black Speedball water soluble ink, one inch ink roller, a paper plate, a pen, and paper (file folder is best)

I create a palm print for each client I read. This is how it's done.

The client washes their hands thoroughly to remove excess oil or other creams they may have applied to their hands before coming here. A clean dry hand is best.

Place a small amount of ink on the paper plate and run the roller over the ink until the roller is totally covered. Sometimes the ink is thick so run it across another piece of paper to thin it out.

Roll the ink onto the palm making sure the hand is evenly covered.

Place the palm onto the paper.

Outline the hand using a pen.

Do not move the hand.

Hold the palm in place. Press firmly then slowly slide the palm and paper to the edge of the table.

Holding the palm in place, slide the paper and palm off the table pressing your hand under the paper then pressing on the palm from beneath to capture all of the lines.

Carefully slide the paper and palm back onto the table and move across the fingers from side to side making sure everything has been pressed into place. (Some clients comment that it feels like a hand massage.)

The client lifts their hand from the paper and the palm print is ready.

I repeat this twice as each palm print will be different. The second copy will be lighter as I don't use any more ink. Light sections denote changes.

The client washes their hands and I label everything on the palm chart. We are now ready to discuss what it says.

Use a magnifying glass to look at different areas to bring out images not seen with the naked eye.

Use the palm of the dominate hand only.






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