Whistled languages based or constructed on or articulated natural languages used in some cultures are sometimes also referred to, and compared with, the language of the birds.
The Secret Of The Strange Whistling Language Of Turkey Huffington Post - August 19, 2015
It's called the "bird language" because it sounds, well, like the whistle of birds. But make no mistake about it: the whistling language used by villagers in one part of Turkey is a very real and complex human language. While the people of Kuskoy -- aka "Bird Village" -- speak Turkish up close, they switch to whistling to communicate over the vast distances of their community. If you look at the topography, it is clear how handy whistled communication is. You can't articulate as loud as you can whistle, so whistled language can be heard kilometers away across steep canyons and high mountains. The whistling is based on Turkish, with each sound representing a syllable.
The Language of the Birds is also known as the Green Language or the Language of the Gods. It embraces Kabbalah, Astrology, Alchemy and Tarot. Its grammar is symbolism, more to the point, holographic symbolism, when properly understood.
In Kabbalah, Renaissance magic, and alchemy, the language of the birds was considered a secret and perfect language and the key to perfect knowledge, sometimes also called the langue verte, or green language (Jean Julien Fulcanelli, Heinrich Cornelius Agrippa de occulta philosophia).
In the Talmud (Louis Ginzberg, Legends of the Bible, 1909), Solomon's proverbial wisdom was due to his being granted understanding of the language of birds by God.
Birds played an important role in Indo-European religion, used for divination by augurs, these customs may have their roots in the Paleolithic when during the Ice Age, early humans used to look for carrion by observing birds. From the Renaissance, it was the inspiration for some magical a priori languages, in particular musical languages.
According to Apollonius Rhodius, the figurehead of Jason's ship, the Argo, was built of oak from the sacred grove at Dodona and could speak the language of birds. The language of birds in Greek mythology may be attained by magical means. Democritus, Anaximander, Apollonius of Tyana, Tiresias, Melampus and Aesopus were all said to have understood the birds.
In Celtic mythology, birds usually represent prophetic knowledge or bloodshed (especially crows). Morrigan adopted the shape of a bird to warn the Brown Bull. Echoing stories of the Edda and the Mabinogion, Richard Wagner's Siegfried understands the birds after he tasted Fafner's blood.
The concept is also known from many folk tales (including Welsh, Russian, German, Estonian, Greek), where usually the protagonist is granted the gift of understanding the language of the birds either by some magical transformation, or as a reward for some good deed by the king of birds. The birds then inform or warn the hero about some danger or hidden treasure.
In Sufism, the language of birds is a mystical language of angels. The Conference of the Birds (mantiq at-tair) is a mystical poem of 4647 verses by the 12th century Persian poet Farid ud-Din Attar. Francis of Assisi is said to have preached to the birds.
In medieval France, the language of the birds (la langue des oiseaux) was a secret language of the Troubadours, connected with the Tarot, allegedly based on puns and symbolism drawn from homophony, e. g. an inn called au lion d'or "the Golden Lion" is allegedly "code" for au lit on dort "in the bed one sleeps" (note that this particular pun cannot be medieval, since final t was pronounced until Middle French, c.f. e.g. the 14th century loanword bonnet).
In Egyptian Arabic, hieroglyphic writing is called "the alphabet of the birds". In Ancient Egyptian itself, the hieroglyphic form of writing was given the name medu-netjer ("words of the gods" or "divine language").
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